Babhruvahana, like Arjuna in the beginning of the Kurukshetra battle, faces an ethical dilemma. Can he danger harming his dad and mom? Whereas Chitarangada alerts Arjuna to shoot an arrow at their son and make the most of Babhruvahana’s momentary lapse attributable to a way of devotion in direction of them (as Arjuna did with Karna), Uluci, the Naga princess and one more deserted spouse of Arjuna’s, reminds Babhruvahana of the instructing of the Kurukshetra battle that within the battlefield there is no such thing as a house for emotions even in direction of dad and mom. What Babhruvahana should do is to ascertain his mom’s good title and thereby his personal character. This movie captures this battle spectacularly. The eerie parallels with the ethical dilemmas of the good Mahabharata battle apart, right here all of the familial relationships (particularly, sturdy moms and dutiful sons) turn out to be exaggerated and demand our consideration.
