Half movie, half baptism, in BLACK MOTHER director Khalik Allah brings us on a religious journey via Jamaica. Absorbing its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who name this island house. Their candid testimonies create a polyphonic symphony, set towards a visible prayer of indelible portraiture. Completely immersed between the sacred and profane, BLACK MOTHER channels insurrection and reverence right into a deeply private ode knowledgeable by Jamaica’s turbulent historical past however current within the pressing current.
