Within the second half of the nineteenth century, Eadweard Muybridge, the daddy of movement photos, embarks on an obsessive venture to report on movie "the movement of life" in all of its abundance. His epic quest is eclipsed solely by the depth of his jealousy over his lovely, younger spouse Flora. Because the venture progresses, his paranoia over her constancy consumes him, till questions come up about his son’s paternity, inflicting him to erupt.
