As a sci-fi obsessed girl residing in close to isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario again in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far earlier than its time. Three many years on, the musician – now Glenn Copeland – started to obtain emails from folks the world over, thanking him for the music they’d not too long ago found.
