Roya is a middle-class Muslim lady that struggles to search out herself within the sprawl of city Bangladesh. When she discovers that she will probably be changed by a youthful actor for the position of Nandini —a central character of Rabindranath Tagore’s political play Purple Oleanders —she battles to reconstruct the half, reclaiming her id and sexuality within the course of. As she units the play in a modern-day ready-made garment manufacturing facility in Dhaka, her journey to ascertain her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the commercial workforce.
